Benefits

• It is a strong coming out of the closet. The accent identifies as gay no matter what the occasion. It cannot be easily turned off once learned.
• It educates the public that gays are more prevalent than they thought, and they are more varied than they thought.

Drawbacks

• It is a Steppin’ Fetchit action, playing into the expected stereotypes of the dominant a straights. Think of the fat, high-pitched, nasal clowns that report gossip on celebrities. They exaggerate the gay stereotype for the entertainment of straights much as shameless blacks entertained whites with stereotype-reinforcing behaviour in earlier times.
• It is demeaning. The accents have the added implication of being harmless, ineffectual, silly, concern with trivia, impotent and incapable, thus selling the message that all gays are eunuchs.
• Straight people come to assume all gays have such accents, and thus drastically underestimate the number of gays and their variety.
• It reinforces negative stereotypes generally.

Another is a cold, efficient, arrogant, clipped accent that goes with immaculate grooming.

Your choice, as a gay is whether you will affect such an accent, not whether others will. You tend to pick up the accent of those you hang out with whether you intend to or not.

Some people perceive any crisp accent or British accent as gay, perhaps because theatrical people are trained to speak so plummily.

My personal choice has been to emphasize the slight English accent I picked up from older relatives and my first grade teachers. I like to enunciate more clearly than usual. If I had my druthers, I’d sound like Michael York or Peter O’Toole, even though I am a Canadian. I try to exclude any of the sloppy, vague, speech that straight Canadian men affect. I want to sound precise, not prissy.